Sound, mostly dialogue, lends motion to the cinematic sequences. Lending power to this installation is its illusory quality. Documentary Competition Directing Award, she earned an Oscar nomination. After Bradley became the first African American woman to win the 2020 Sundance Film Festival’s U.S. The 13-minute piece - put together by the museum’s exhibitions curator, Jenny He - is thoughtfully bookended by historic black-and-white documentaries, namely Louis Lumière’s 1895 Exiting the Factory (known to be the original motion picture) and Garrett Bradley’s Time. This hypnotic work of video art traces the diverse paths of film history by sampling sequences and stills from an impressive international selection of 700 films, which are directed by men and women. The viewpoint clearly comes into focus in the Spielberg Family Gallery’s show, Stories of Cinema 1. Such grassroots social movements as #OscarsSoWhite, #MeToo and Black Lives Matter also intensified the museum’s inclusive focus. Boyle conjured for Alfred Hitchcock’s 1959 thriller North by Northwest (that is, after he rappelled down the outdoor sculpture), inaugurates the space as one of four “ongoing” exhibits.ĭefining all aspects of the museum’s curation is an egalitarian perspective recognizing people of color and women (which is now standard at all major cultural institutions). The iconic Mount Rushmore backdrop that Robert F. The museum’s exhibition Backdrop: An Invisible Art - on view within the Saban Building’s double-height Hurd Gallery through October 2022 - showcases another piece of monumental historic film scenery. It feels as though the sphere’s dome roof, which was constructed from steel and glass (like the “skyway” pedestrian bridges connecting it to the Saban Building gallery complex), functions like a gigantic, open-air exhibition vitrine, allowing visitors to frame the movie scenes which, captured amid this storied locality, inevitably come to mind while drinking it in. But enjoying the dramatic vista, within a film museum’s context, delivers a powerful charge. The observatory deck was made for photo ops. The Dolby Family Terrace atop the Sphere Building Iwan Baan/©Iwan Baan Studios, Courtesy Academy Museum Foundation Atop the sphere, the Dolby Family Terrace offers a panoramic view stretching from Westwood to the Hollywood Sign by way of Beverly Hills. Inside the sphere, the 1,000-seat David Geffen Theater brings new meaning to the term “movie palace,” with its state-of-the-art projection facilities and glamorous lipstick-red color scheme. However, the exterior of this awe-inspiring structure brings to mind the otherworldly brutalist elegance that legendary production designer Ken Adam conjured for the all-time great 007 films like 1967’s You Only Live Twice. The monolithic Sphere Building - around which the museum’s campus revolves - acquired the nickname the “Death Star” (that’s the superweapon from Star Wars) amid construction. 30 at the corner of Fairfax Avenue and Wilshire Boulevard, was worth waiting for. The hirings, firings and an ultimate relocation to the Miracle Mile area were complete with plot twists redolent of a Robert Towne screenplay.Ĭonstructed over six years, beginning in 2015, by the Pritzker Prize-winning architect Renzo Piano, together with his Renzo Piano Building Workshop and Gensler, as executive architect - as well as innumerable world-class specialists of all manner to get the look and the mind-boggling technical craft involved in running the place exactly right - the new Academy Museum has outpriced any blockbuster ever made in Hollywood. Locations, architects and curators came and went. Wall Street's M&A Sharks Are Getting Ready for a Feeding Frenzy of Hollywood Dealsĭiscussion of Debbie Reynolds’ suggestion of subsidizing the display of her vast collection of Old Hollywood memorabilia (which she acquired at the 1970 auction of seven MGM soundstages), planted the seed and prompted the hiring of Academy Museum staff in 2004 for a building that would have risen in Hollywood. The idea for the Academy of Motion Picture Arts and Sciences to build a film museum - intended to be to the medium what the Louvre is to fine art - first took shape at a 2002 Academy board meeting. Yet they threw in the towel after legal challenges ultimately resulted in a showdown, during which a shotgun-toting owner of a property situated on an intended site defended his turf, backing down only after an intervention from an “army” of L.A. Mayer, Mary Pickford and Gloria Swanson - had moved forward with the concept. By the 1960s, a group of industry legends - including Walt Disney, Louis B. According to Hollywood lore, a world-class motion picture museum situated in Los Angeles has been in the works for nine decades.
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